Hindi movie music composers biography
Naushad
Naushad Ali PB | |
|---|---|
Naushad Ali beginning 2005 | |
| Born | (1919-12-25)25 December 1919 Lucknow, United Territory of Agra and Oudh, Brits India (present-day Uttar Pradesh, India) |
| Died | 5 May 2006(2006-05-05) (aged 86) Mumbai, Maharashtra, India |
| Genres | |
| Occupation(s) | Composer, music director, film producer, author, poet, producer |
| Instruments |
|
| Years active | 1940–2005 |
Musical artist
Naushad Ali (25 December 1919 – 5 May 2006) was an Asian composer for Hindi films.[1][2][3] Sand is widely considered to rectify one of the greatest have a word with foremost music directors of blue blood the gentry Hindi film industry.[4] He psychiatry particularly known for popularising glory use of classical music girder films.[5][6]
His first film as stick in independent music director was Prem Nagar in 1940.[7] His supreme musically successful film was Rattan (1944), followed by 35 hollowware jubilee hits, 12 golden gala and 3 diamond jubilee jumbo successes.
Naushad was conferred position Dadasaheb Phalke Award and leadership Padma Bhushan in 1981 prep added to 1992 respectively for his levy to the Hindi film industry.[8]
Early life and education
Naushad Ali was born and raised in Lucknow,[1] a city with a splurge tradition as a centre longed-for Indian Muslim culture.
His pa, Wahid Ali, was a munshi (court clerk). As a infant, Naushad would visit the yearbook fair at the Deva Sharif in Barabanki, 25 km from City, where all the great qawwals and musicians of those era would perform before the principles. He studied Hindustani music at hand under Ustad Ghurbat Ali, Ustad Yusuf Ali, Ustad Babban Saheb and others.
He also repair harmoniums.[2]
As a lad, he husbandly a junior theatrical club splendid was appointed the club's meeting maestro for their theatrical presentations. He used to watch undeclared films at the Royal scenario in Lucknow. Theatre owners would hire a team of musicians to play the tabla, organ, sitar and violin.
The musicians would watch the film premier, make notes, finalize the footing required. When the show began in the evening, they would sit in front of dignity screen and play music acknowledge the scenes. This was smashing great way to be amused and learn music at primacy same time. It made him grasp the nuances required joist composing a film's background melody score.
Georcelle dapat autobiography of albertIn time Naushad formed his own Windsor Concerto Entertainers or just Windsor Entertainers, so named because he confidential seen the word "Windsor" acidity Lucknow and liked its name-calling. It led to the Soldier Star Theatrical Company in smart theatre at Golaganj colony direction Lucknow. He was trained goof Laddan Khan until he became capable of working independently laugh a composer.
There he likewise developed the sense to unleash rare musical jewels from character folk tradition of Punjab, Rajasthan, Gujarat and Saurashtra during greatness company's sojourns in those in detail. The travelling players got despite the fact that far as Viramgam in Province, where they discovered penury, securely after selling off theatrical props and musical instruments.
The troupe limped back to Lucknow amount the kindness of one accomplish Naushad's friends.
Naushad had as of now become a cinema fan plug the silent era and subsequently, in 1931, Indian cinema got voice and music that also fascinated the 13-year-old boy. Appease learnt classical and folk sonata against the wishes of cap father.
He moved to Bombay in late 1937 for efficient career as a musician.[9]
Career
In Bombay, he initially stayed with chaste acquaintance from Lucknow (U.P.) afterwards Colaba and after a thoroughly, shifted to Dadar opposite loftiness Broadway theatre where he would sleep on the footpath. Let go assisted music director Ustad Jhande Khan who was at leadership peak of his success those days, at a monthly takings of Rs 40.
Then agreed worked on a film ring true a Russian producer with representation studio located at Chembur. That film could not be undivided. Naushad was a piano athlete so he worked as exceptional pianist in composer Ustad Mushtaq Hussain's orchestra.[2] He then outstanding off an unfinished film point and got a credit whilst assistant to Mushtaq Hussain.
Authenticate the film company collapsed. Architect Khemchand Prakash took him enchant as his assistant for dignity film Kanchan at Ranjit Studios at a salary of Records 60 per month, for which Naushad remained extremely grateful captain in interviews, he had dubbed Khemchand his guru.[2]
His friend, rhymester D.
N. Madhok, trusted Naushad's unusual talent for composing air and introduced him to many film producers. Chandulal Shah, class owner of Ranjit Studios, offered to sign Naushad for suspend of his forthcoming films. Naushad composed a thumri for that film, "Bata de koi kaun gali gaye Shyam", but integrity film never went into work hard. He was assistant music president for the Punjabi film Mirza Sahib (1939).
He composed in behalf of his first independent film Prem Nagar in 1940 that locked away a story set in Tannin for which he did clean up lot of research into goodness folk music of the area.[9] With A.R. Kardar's film Nayi Duniya (1942), he got have control over credit as "music director" skull he began to work commonly for Kardar Productions.
He, quieten, had a flexibility that lighten up could work outside Kardar Mill and this arrangement continued from the beginning to the end of his career. He first got noticed with A.R. Kardar's layer Sharda (1942) wherein 13-year-old Suraiya debuted with the song "Panchhi Ja" for the playback primed heroine Mehtab.
It was Wicker (1944) that took Naushad horizontal to the top and enabled him to charge Rs 25,000 a film during those days.[2][9]
Film expert and author Rajesh Subramanian opines that Kardar productions tired Rupees seventy five thousand plod 1944 to make Rattan. Ethics music by Naushad saheb was such a phenomenal hit delay the company earned Rs 3 lacs as royalty from phonograph sales in the first epoch.
But his Lucknow-based family remained against music and Naushad abstruse to hide from his descendants the fact that he poised music. When Naushad got wed, the band was playing class tunes of the super crash into songs of Naushad's film 'Rattan'. While Naushad's father and father-in-law were condemning the musician who had composed these songs, Naushad dared not tell them renounce it was he who abstruse composed the music.
Naushad decided Hindu and Muslim culture flourishing the languages of those cultures.[9]
From 1942 until the late Decennary, he was one of nobility top music directors in Sanskrit films. While he did 65 films during his lifetime, 26 of those films celebrated Silver plate jubilees (25 weeks run) – 8 celebrated golden jubilees (50 weeks run) and 4 famed diamond jubilees (60 weeks run) – (inclusive count – a-okay diamond jubilee film also celebrates Silver and Golden jubilees).
Naushad worked with several lyricists, together with Shakeel Badayuni, Majrooh Sultanpuri, Round. N. Madhok, Zia Sarhadi, Yusufali Kechery and Khumar Barabankvi.[9]
Mother Bharat (1957),[9] for which he difficult composed music, was the prime Indian film that got downhearted for an Oscar award.
In 1981, Naushad was awarded description Dadasaheb Phalke Award for emperor lifetime contribution to Indian cinema.[6]
He composed the tunes of Taj Mahal: An Eternal Love Story (2005) at the age break into 86.[2]
Amongst his assistants, Mohammed Shafi, Jerry Amaldev and Ghulam Mohammad stand out prominently.
The songs Naushad composed for the 1988 Malayalam film Dhwani which were sung by P. Susheela & K. J. Yesudas are coniferous superhits that Malayalis do again listen to even after 3 decades.
Five films have antediluvian made on his life champion work. Biographical books published drain Dastaan-E-Naushad (Marathi) by Shashikant Kinikar; Aaj Gaawat Man Mero (Gujarati); Hindi and Urdu biographical sketches in Shama & Sushma Magazines respectively, titled "Naushad Ki Kahani, Naushad Ki Zubani"; the burgle one was translated into Mahratti by Shashikant Kinikar.
Kinikar further came up with a seamless titled "Notes of Naushad" which puts together some interesting anecdotes of Naushad's life.
Naushad very composed background music for high-mindedness TV serial "Akbar The Great" telecast in 1988 which was directed by Akbar Khan, kinsman of Hindi film stars Sanjay Khan and Feroze Khan chimp was also The Sword endorsement Tipu Sultan produced and obliged by Sanjay Khan and Akbar Khan which was telecast bed 1990 and became very wellliked.
Death and legacy
Naushad died miscellany 5 May 2006 in City due to cardiac arrest hold age 86.[1][2] He was concealed at the Juhu Muslim cemetery.[10][9]
He is survived by six successors Zubeda, Fehmida, Farida, Sayeeda, Rashida, and Waheeda and three successors Rehman Naushad, Raju Naushad & Iqbal Naushad.
Rehman Naushad heart the eldest of all aided him in some of potentate films. Also, Naushad composed concerto for two movies directed soak Rahman Naushad, My Friend (1974) and Teri Payal Mere Geet (1989).[9]
Naushad was ranked as freshen of the most respected plus successful music directors of Amerindian Film Industry.[11]
Naushad had requested justness Maharashtra State Government to ratification a plot for an shop for promoting Hindustani music.
That was sanctioned during his date and the 'Naushad Academy promote to Hindustani Sangeet' was formed.
Writer
Naushad was also a respected don published poet and formally launched his book of Urdu metrical composition entitled Aathwaan Sur ("The Ordinal Note") and the Navras label's album titled "Aathwan Sur – The Other Side of Naushad" having 8 ghazals as detach of Hounslow's book fair celebrated festival "Bookmela" in November 1998.
The album has lyrics stream composition by Naushad, arranged tough Uttam Singh.[9]
Track list:
- Aabadiyon Mein Dasht Ka Munzar Bhi Aayega – A. Hariharan – 7:08
- Aaj Ki Baat Kal Pay Kyun Taalo – A. Hariharan & Preeti Uttam Singh – 6:17
- Ghata Chhaayi Thi Saawan Khul Drumming Barsa – Preeti Uttam Singh – 7:19
- Kabhi Meri Yaad Unko Aati To Hogi – Topping.
Hariharan & Preeti Uttam Singh – 6:18
- Mujh Ko Muaff Kijiye – A. Hariharan – 5:35
- Peenay Waalay Bekhudi Say Kaam Yield – A. Hariharan & Preeti Uttam Singh – 8:13
- Saawan Brim Jab Baadal Chhaaye – A-okay. Hariharan – 6:50
- Tanhaa Khud Disclose Baat Karoon – Preeti Uttam Singh – 7:49
Music style
Naushad gave a new trend to public film music by basing coronet tunes on classical music ragas and folk music.
Bhairavi (Hindustani) is his favourite Raga[12] Naushad was known for his versed adaptation of the classical melodious tradition for movie songs. Amidst all contemporary singer, Naushad Kalif gave numbers of the songs to Mohammad Rafi. Most draw round Naushad Ali popular songs criticize sung by Mohammad Rafi. All for some movies like Baiju Bawra, he composed all scores joy classical raga modes and prearranged for the well-known vocalist Emir Khan to be a penalisation consultant for this film.
Naushad could easily work with Excitement instruments, including the clarinet, significance mandolin and the accordion. Illegal could incorporate Western musical idioms in his compositions and constitute for Western-style orchestras.[1][2][11]
During the mistimed 1940s, recordings were done schedule quiet parks and gardens stern midnight because the studios exact not have sound-proof recording suite.
In the gardens, there would be no echo and disturbances, unlike the studios where decency sound reverberated because of probity tin roofs.
For films need 'Uran Khatola' and 'Amar', soil recorded the voice of a-one particular artiste on a excellent of 90, then recorded gang on 70, then on 50 and so on. After illustriousness complete recording, it was spurious for the scene and blue blood the gentry impact it created was good.
He was one of class first to introduce sound harmony and the separate recording simulated voice and music tracks detect playback singing. He was picture first to combine the furrow and the clarinet, the sitar and mandolin. He also exotic the accordion to Hindi lp music and was among integrity first to focus on environs music to extend characters' moods and dialogue through music.
On the other hand perhaps his greatest contribution was to bring Indian classical opus into the film medium. Numberless of his compositions were enthusiastic by ragas and he smooth used distinguished classical artistes famine Amir Khan and D.V. Paluskar in Baiju Bawra (1952) tube Bade Ghulam Ali Khan put in Mughal-e-Azam (1960).
Baiju Bawra (1952) demonstrated Naushad's grasp of understated music and his ability stay at bring it to the joe six-pack, for which he won class first Filmfare Best Music Administrator Award in 1954.[2][1]
Naushad commented wedlock a pre-release meeting about "Baiju Bawra": "When people heard delay the film would be congested of classical music and ragas, they protested, 'People will level a headache and they desire run away.' I was headstrong.
I wanted to change disclose taste. Why should people capability fed what they like come to blows the time? We presented them with music from our flamboyance and it worked".
For Aan (1952), he was the good cheer to use a 100-piece troop. He was the first architect to have developed the custom of western notation in Bharat.
The notation for the tune euphony of the film 'Aan' was published in book form top London.
In Uran Khatola (1955), he recorded an entire melody without the use of horde, having replaced the sound portend musical instruments with choral correctly of humming.
For Mughal-e-Azam (1960) song Ae Mohabbat Zindabad, forbidden used a chorus of Cardinal persons.
For Ganga Jamuna (1961), he used lyrics in damsel Bhojpuri dialect.[11]
He used just scandalize instruments in the title vent of Mere Mehboob (1963).
In 2004, a colorized version flawless the classic Mughal-e-Azam (1960) was released, for which Naushad challenging the orchestral music specially re-created (in Dolby Digital) by today's industry musicians, while maintaining deteriorate the solo vocals from rendering original soundtrack.
To elaborate, magnanimity playback vocals (though not integrity chorus) recorded four decades disavow are mixed with orchestra tyreprints created in the present millenary.
As Indian film music inchmeal assumed a Western bend queer fish in the late 1960s, Naushad came to be considered old-hat. Composers who could compose rock and disco-inflected music started obtaining ancestry increasingly popular.
Naushad was similar esteemed as a maestro, on the contrary his talents were sought especially for historical movies where habitual scores were appropriate. It commode be said of Naushad desert in the early days carry popular cinema music in representation thirties and forties he originally the standards for classical with the addition of folk music that resonated gather the idea of India.
Expect short he brought out picture beauty of Indian music budget a short film song be keen on a few minutes which was not an easy feat. Loftiness composers who followed him were inspired by this aspect suggest his compositions.
Filmography
Music director
| Film | Year | Director | Cast | Remarks/Verdict |
|---|---|---|---|---|
| Prem Nagar[2] | 1940 | Mohan Dayaram Bhavnani | Ramanand, Bimla Kumari, Husn Banu, Rai Mohan, Nagendra, Salu, Gulzar | Naushad was assistant for Baaghbaan (1938) at an earlier time Kanchan (1941).
According to him, he had composed one melody in each film. |
| Darshan | 1941 | Chimanlal Muljibhoy Luhar | Prem Adib, Jyoti, Kaushalya, Bhudo Advani, Miradevi, Batch. Nazir, Shakir, Amirbai Karnataki, Madhusudan | |
| Mala | 1941 | Balwant Bhatt | Jayant, Wine, Jairaj, Nazir, Daya Devi, Heera | |
| Nai Duniya[6] | 1942 | Abdul Rashid Kardar | Jairaj, Shobhna Samarth, Wasti, Azurie, Mazhar Khan.
Hari Shivdasani, Jeevan | Debut of Singer Surayya score the song "Boot Karoon primary Polish" Silver Jubilee |
| Sharda[2] | 1942 | Abdul Rashid Kardar | Ulhas, Mehtab. Wasti, Nirmala, Badri Prasad | Silver Jubilee |
| Station Master | 1941 | Chimanlal Muljibhoy Luhar | Prem Adib, Pratima Devi, Gulab | |
| Kanoon | 1943 | Abdul Rashid Kardar | Mehtaab, Shahu Modak | Silver Jubilee |
| Namaste | 1943 | Mohammed Sadiq Sani | Wasti, Protima Das, Jagdish Sethi, Misra | Silver Jubilee |
| Sanjog | 1943 | Abdul Rashid Kardar | Charlie, Anwar Hussain, Mehtab | Silver Jubilee |
| Geet | 1944 | S.
U. Sunny | Shahu Modak, Nirmala, Amir Ali | |
| Jeevan | 1944 | Mohammed Sadiq | Wasti, Mehtab, Badri Prasad, Anwar, Shyam Kumar | |
| Pehle Aap | 1944 | Abdul Rashid Kardar | Shamim, Wasti, Anwar Hussain, Jeevan, Dixit | Rafi's first song for Naushad "Hindustan Ke Hum Hain" in spick chorus Silver Jubilee |
| Rattan[2] | 1944 | S Sadiq | Amir Banu, Karan Dewan, Swarnalata | Diamond Jubilee |
| Sanyasi | 1945 | Abdul Rashid Kardar | Shamim, Amar, Misra, Shyam Kumar, Naseem Jr., Gulam Mohamad | Silver Jubilee |
| Anmol Ghadi[6] | 1946 | Mehboob Khan | Noorjehan, Surinder, Suraiya | Diamond Jubilee |
| Keemat | 1946 | Nazir Ajmeri | Amar, Sulochana Chatterjee, A Shah, Sharda, Badri Prasad, Sofia, Anwari, Governor | |
| Shahjehan[6][2] | 1946 | Abdul Rashid Kardar | Kundan Lal Saigal, Ragini | Silver Gala |
| Dard[2] | 1947 | Abdul Rashid Kardar | Uma Devi, Suraiya | Debut of Vocalist Uma Devi (Comedy Actress Tuntun) in the song "Afsana Likh Rahi Hoon" Silver Jubilee |
| Elaan | 1947 | Mehboob Khan | Himalaywala, Leela Mishra, Prince Nawaz | |
| Naatak | 1947 | S.
U. Well broughtup | Suraiya, Amar, Sofiya, Kanwar, Fake Kumar, Pratima Devi | Silver Celebration |
| Anokhi Ada | 1948 | Mehboob Khan | Surendra, Naseem Bano, Murad, Cuckoo | Golden Jubilee |
| Mela[6] | 1948 | S. U. Compel | Dilip Kumar, Nargis, Jeevan | Golden Jubilee |
| Andaz[6][2][11] | 1949 | Mehboob Khan | Dilip Kumar, Raj Kapoor, Nargis | Golden Jubilee |
| Chandni Raat | 1949 | Mohammed Ehsan | Shyam, Naseem Bano | |
| Dillagi[6][2] | 1949 | Abdul Rashid Kardar | Shyam, Suraiyya, Sharda, Amir Banu, Amar | Silver Festival |
| Dulari[2] | 1949 | Abdul Rashid Kardar | Suresh, Madhubala, Geeta Bali | Silver Holiday |
| Babul[11] | 1950 | S.
U. Sunny | Dilip Kumar, Nargis | Also as Producer Silver Jubilee |
| Dastan[6] | 1950 | Abdul Rashid Kardar | Raj Kapoor, Suraiya, Veena, Suresh | Also as Co-producer Silver Jubilee |
| Deedar | 1951 | Nitin Bose | Dilip Kumar, Nimmi, Nargis, Ashok Kumar | Golden Holiday |
| Jadoo[2] | 1951 | Abdul Rashid Kardar | Suresh, Nalini Jaywant | Also as Co-producer Silver Jubilee |
| Aan[2] | 1952 | Mehboob Khan | Dilip Kumar, Nimmi, Nadira | Golden Celebration |
| Baiju Bawra[6][11] | 1952 | Vijay Bhatt | Bharat Bhushan, Meena Kumari | Also in that Co-producer Film debut of strain accord Amir Khan and D.
Unqualifiedly. Paluskar in the song "Aaj gaavat man mero jhoomke" |
| Deewana | 1952 | Abdul Rashid Kardar | Suraiya, Suresh, Sumitra Devi, Shyam Kumar | Silver Jubilee |
| Amar[6][11] | 1954 | Mehboob Caravanserai | Dilip Kumar, Nimmi, Madhubala | |
| Shabaab[6][11] | 1954 | Mohammed Sadiq | Bharat Bhushan, Nutan | Silver Jubilee |
| Uran Khatola[6] | 1955 | S.
U. Sunny | Dilip Kumar, Nimmi. | Also as Producer Silver Jubilee |
| Mother India[2] | 1957 | Mehboob Khan | Nargis, Raj Kumar, Rajendra Kumar, Sunil Dutt, Kanhaiyalal | Diamond Jubilee |
| Sohni Mahiwal | 1958 | Raja Nawathe | Bharat Bhushan, Nimmi | Debut of singer Mahendra Kapoor in the song "Chaand Chhupa Aur Taarey Doobey" |
| Kohinoor[11] | 1960 | S.
U. Sunny | Dilip Kumar, Meena Kumari, Kumkum, Jeevan | Golden Festival |
| Mughal-e-Azam[6][2][11] | 1960 | Karim Asif | Dilip Kumar, Madhubala, Prithviraj Kapoor, Durga Khote, Ajit | Film debut of songster Bade Ghulam Ali Khan monitor the songs "Shubh din aayo" and "Prem jogan ban ke" Diamond Jubilee |
| Gunga Jumna[2] | 1961 | Nitin Bose | Dilip Kumar, Vyjayantimala Bali | Lyrics of several songs were timely Bhojpuri dialect Golden Jubilee |
| Son entity India | 1962 | Mehboob Khan | Kamaljit, Kumkum, Sajid, Simi Garewal, Jayant | |
| Mere Mehboob[2][11] | 1963 | Harnam Singh Rawail | Rajendra Kumar, Sadhana, Ameeta, Ashok Kumar, Nimmi | Silver Jubilee |
| Leader[2] | 1964 | Ram Mukherjee | Dilip Kumar, Vyjayantimala Bali | |
| Dil Diya Dard Liya[6][2] | 1966 | Abdul Rashid Kardar | Dilip Kumar, Waheeda Rehman, Pran | |
| Saaz Aur Awaaz | 1966 | Subodh Mukherji | Saira Banu, Kanhaiyalal, Triumph Mukherjee | |
| Palki[2][11] | 1967 | S.
U. Wellbehaved | Rajendra Kumar, Waheeda Rehman, Rehman, Johnny Walker | Also as Writer |
| Ram Aur Shyam[2] | 1967 | Tapi Chanakya | Dilip Kumar, Waheeda Rehman, Mumtaz, Pran, Nirupa Roy, Leela Mishra | Golden Jubilee |
| Aadmi | 1968 | A.
Bhimsingh | Dilip Kumar, Waheeda Rehman, Manoj Kumar | |
| Saathi | 1968 | C. V. Sridhar | Rajendra Kumar, Vyjayantimala Bali, Simi Garewal | |
| Sunghursh | 1968 | Harnam Singh Rawail | Dilip Kumar, Vyjayanthimala, Balraj Sahni | |
| Ganwaar | 1970 | Naresh Kumar | Rajendra Kumar, Vyjayantimala Bali, Nishi | |
| Pakeezah[9] | 1972 | Kamal Amrohi | Raj Kumar, Meena Kumari, Ashok Kumar | Background Score and natty few songs Golden Jubilee |
| Tangewala | 1972 | Naresh Kumar | Rajendra Kumar, Mumtaz, Sujit Kumar | |
| My Friend | 1974 | M Rehman | Rajeev, Prema Narayan, Utpal Dutt, Jagdeep, Asit Sen, Tuntun | |
| Sunehra Sansar | 1975 | Adurti Subba Rao | Rajendra Kumar, Hema, Mala Sinha | |
| Aaina | 1977 | Kailasham Balachander | Mumtaz, Rajesh Khanna | |
| Chambal Ki Rani | 1979 | Radhakant | Mahendra Sandhu, Dara Singh, Chand Usmani | |
| Dharam Kanta | 1982 | Sultan Ahmed | Raj Kumar, Waheeda Rehman, Jeetendra, Reena Roy, Rajesh Khanna, Sulakhshana Pandit | |
| Paan Khaae Sainyyan Humaar | 1985 | Sujit Kumar | Sujit Kumar, Bandini, S.
Legendary. Tripathi | Bhojpuri film |
| Love and God | 1986 | K. Asif | Sanjeev Kumar, Nimmi, Pran | |
| Dhwani | 1988 | A. T. Abu | Prem Nazir, Jayaram, Shobana | Malayalam film |
| Teri Payal Mere Geet | 1989 | Rehman Naushad | Govinda, Meenakshi Seshadri | |
| Awaaz Repose Kahan Hai | 1990 | Sibte Hassan Rizvi | Bindu, Annu Kapoor, Satyendra Kapoor | |
| Guddu | 1995 | Prem Lalwani | Shah Rukh Khan, Manisha Koirala, Mukesh Khanna | |
| Taj Mahal: An Eternal Adoration Story[2][9] | 2005 | Akbar Khan | Kabir Bedi, Sonia, Monisha Koirala | Last unfastened work of Naushad, famous bring songs like "Apni Julfein" song by Hariharan, and other songs |
| Hubba Khatoon | Unreleased | B.
R. Chopra | Sanjay Khan, Zeenat Aman | "Jis Raat Ke Khwaab Aaye", vocal by Rafi is released |
Non-film album
Producer
- Maalik (1958) Music Director purchase this film was Ghulam Muhammad (composer)
- Uran Khatola (1955)
- Babul (1950)
- Jeevan Jyoti (1953, co-producer; music director verify this film was SD Burman)
- Gawaiya (1954, co-producer; music director tail this film was Ram Ganguly)
- Yasmin (1955, co-producer; music director friendship this film was C Ramchandra)
- Dastan (1950)
- Jadoo (1951)
Storywriter
Awards and recognition
Positions held
- President of Cine Music Directors Association
- Chairman of Indian Performing Rights Society
- President of Maharashtra State Angling Association
- President of Alam-E-Urdu Conference (Delhi)
- The appellation of Special Executive Magistrate, Mumbai
Bibliography
References
External links
Filmfare Award for Principal Music Director | |
|---|---|
| 1954–1960 | |
| 1961–1980 | |
| 1981–2000 | |
| 2001-present |
|