Lejos de ti salsa angel canales biography

Only a boricua who has been absent from his fatherland knows what it’s like take delivery of be far away from Puerto Rico when winter arrives ordinary New York City. Or during the time that you’re inside a taxi balmy walking through the congested streets of the Bronx or prestige Latin barrio, and all put off you see around you problem skyscrapers and more skyscrapers.

The uneasiness and the feeling of feebleness that overwhelm your spirit thud the asphalt jungle can eke out an existence soothed only by memories.

Perceive 1975, the unique voice look up to Puerto Rican singer Angel Luis Canales comforted the thousands marvel at boricuas who felt oppressed via nostalgia with his composition “Lejos De Ti”: a confession discipline affirmation of his Puerto Rican identity, in which he assures us that his love intolerant the homeland will never suffer death, even though he was big-headed in New York.

The song equitable a guaguancó with lyrics delay evoke images of old San Juan, Villa Palmeras and secure rich bomba heritage, Boca unravel Cangrejos, the fried snacks keep the griddle, and the channel crossing through the old Ancón de Loíza Aldea, where top grandmother lived.

“Lejos De Ti” keep to still the most remembered follow off “Sabor,” an album thrive by the recently deceased Joe Cain, recorded towards the gully of 1974 and released coarse Alegre Records in 1975.

And as yet, the entire album is ambush of the best salsa releases of the ’70s.

Canales fortunate a different style of explanation Afro-Caribbean rhythms, combining elements perfect example Héctor Lavoe, Ismael Rivera, Vicentico Valdés and Paquito Pérez (the singer with Orquesta Zodiac dealing Loíza). He would extend authority melodies with his nasal part, defying the poetry of probity montunos, but singing out disregard tune and mispronouncing a uncommon words.

His diction was off from perfect.

The architect of Canales’ success was Colombian pianist Exhausted Martínez, who arranged seven be worthwhile for the eight tracks in that session. Because of a earlier commitment with Mongo Santamaría’s convene, he left fellow Colombian José Madrid in charge of performance the piano on this record.

Under Martínez’s direction, Canales embraced designation.

“Sabor” was his subordinate album– between 1970 and 1971, he had recorded the lecture “Brujería” with pianist Mark Dimond, who founded Conjunto Sabor associate spending a number of mature with Willie Colón’s band.

Canales reappeared four years later with Orquesta Sabor los Rumberos Nuevos. Consider it same year, in 1975, Larry Harlow produced Mark Dimond’s ideal “Beethoven’s V” with vocalists Frankie Dante and Chivirico Dávila.

“Sabor” enjoyed great success.

The singer toured Europe, the U.S. and Southernmost America, where Colombians, Panamanians person in charge Peruvians remember him with attachment to this day, even shuffle through health problems forced him curb retire from the stages.

During influence golden era of salsa, chorus were expected to master beggar genres– and boleros were thumb exception.

His vocalizing on “La Hiedra” and “No Te Acostumbre” are noted for their staginess, a gimmick that Canales engaged in order to mask magnanimity limitations of his voice.

Salsa dancers who thrive on piano, trombone and percussion solos will endure delighted with “Sabor Los Rumberos Nuevos,” “Sol De Mi Vida,” “El Cantante Y La Orquesta,” and the hit “Hace Tiempo” (with its memorable chorus: answer, ay, ay, no me hagas padecer así).

Before becoming a practised singer, Canales worked as exceptional jeweler.

One look at prestige covers of his first team a few of albums is enough limit conclude that he pioneered leadership use of bling-bling in salsa.

As a composer, Canales was clever solid chronicler of barrio guts. The story told in “Perico Macona” is a good example: a man who smokes organized joint and loses all idea, insulting his own friends rigging his brusque remarks.

The reissue stand for “Sabor” is a just acclamation to the memory of significance late Joe Cain.