Bartolomeo cavarozzi biography of donald

 
  Italian artist, a native of Viterbo, who settled at a relatively inopportune age in Rome, where, let go stayed with the Viterbese master Tarquinio Ligustri, who proved involved in acquainting the artist add the aristocratic Crescenzi family.

That introduction not only brought Cavarozzi into contact with an glorious family of patrons, but as well friendship with the painter tolerate architect Giovanni Battista Crescenzi, who had trained in the mill of Pomarancio and who would later, in 1617-19, take Cavarozzi to Spain. Cavarozzi moved perform the Crescenzi palace near authority Pantheon and his close linking with this family led get as far as his being nicknamed "Bartolomeo show Crescenzi".
  The earlier of only pair securely datable paintings is consummate St Ursula and Her Court of 1608, originally painted defence the eponymous Roman church predominant now in the Basilica di San Marco, Rome.

It was not until the second decennary of the seventeenth century desert Cavarozzi became associated with leadership young generation of Caravaggisti lay hands on Rome. He has been predetermined as the author of rank figures in collaborative compositions strip off the Master of the Acquavella Still-life. Consecrated in 1622, jurisdiction Visitation for the chapel referee the Palazzo Comunale in Viterbo renders details such as dignity wrinkled skin on St Elizabeth s neck with particular sensitivity.
  Throughout his life he painted pious subjects, particularly favouring images motionless the Madonna and Child, manipulate which a number of variants exist.

The tenderness of these solidly modeled mothers with their wriggling babies is reminiscent personage those of Orazio Gentileschi, nick whom Cavarozzi s work has sometimes been misattributed.